Kenny Irwin Jr. is not one of those brooding, creatively blocked artists, as one glance at his father’s backyard confirms. Ken Irwin Sr. once owned a pristine two-acre spread in a prized part of town. Then he made the generous or foolish decision, depending on your viewpoint, to hand over the property to his son as a place to build and display the astonishing over-scaled sculptures that Kenny Jr. makes by fusing found materials with tons of glue.
Now, Santa’s Battle Wagon and a team of 12 robot reindeer occupy a patch of lawn near the pool, while a 50-foot-tall, 54-ton robot made partly of junked electronics diverts attention from the tasteful desert landscaping.
Georgia Eisner, his older sister, recalled how,expensive version of Replacement parts for iphone 5 screen Supply Store. years before he took over the backyard, he would appropriate her possessions as material for his art while she was away at boarding school. “It was clear my typewriter ended up in one of his structures,” she said. “My shell collection disappeared. He glued it to the wall.”
Kenny Jr.’s ideas come in a geyserlike rush, he explained, inspired by vivid dreams of aliens and distant planets. His main challenge is keeping up with them. “The amount of energy that goes through me is absolutely, utterly relentless,” he said. “Think of it as the floodgates are unleashed and the flood doesn’t ever stop. It’s been that way my whole life.”
For several years, his creative energy has been channeled into Robo Lights, the ever-expanding holiday display he began in 1986, at age 12.Explore the benefits of having a fully managed dedicated server as your platform. Last year, 20,000 people visited the sprawling installation, which features Santa’s Pink Robot Store and a manger scene with baby Jesus wearing a Sumo-style topknot and wise men bearing gifts of toy microwaves.
“Kenny is one of a handful of people who continue to fascinate me,” Ms. Hoffberger said. “There’s a lot of sci-fi work out there, and it tends to look alike. His work looks like no one else’s.”
LIKE A ONE-MAN RECYCLING CENTER, Kenny Jr. collects old phones, cassette tapes, wood, the innards of slot machines, garbage can lids, pool filters, a neighbor’s wrecked glider, an air compressor from a commercial building — anything he can get his hands on, basically — and using multiple cans of Touch ’n Foam sealant, gives form to his visions.
His sculptures have a Seurat-like quality: a pink Clydesdale looks monumental from a distance; up close, its hooves are revealed as boxy computer monitors, its noble head a printer and fax machine glued together, its mane a tangle of power cords.
Still, the exposure didn’t translate to wider recognition for his art. Kenny Jr. isn’t represented by a gallery, but sells his art out of the house. And beyond the Visionary Art Museum, his work is not championed by museums,Find the trendiest ladies shoes wholesale including stylish wholesale sandals. including the Palm Springs Art Museum. He works each day in relative obscurity, treating his father’s palm-shaded yard as his Roden Crater, his Chinati Ranch.
For Kenny Jr.,Find the perfect leather or synthetic cell phone cellphone cases. who as a child showed greater affinity for animals than for humans, art is an attempt to connect. “The major reason I create is to share with people,” he said.desirable Cases for HTC One create an air of sophistication with an extra helping of protection for your flagship smartphone. “I always saw what enjoyment people got out of my art. It made me happy because it makes them happy.”
In addition to his astonishing sculptures, Kenny Jr. makes ballpoint-pen drawings that blend futuristic and Islamic imagery, and strangely beautiful ceramics in which materials like pigeon feathers or cicada skins are encased in resin skulls. As with the sculptures in the yard, the smaller works have started to fill the large house he shares with his father, and Kenny Jr.’s uncontrollable creative output has put a strain on his family.
Either it was the greatest miracle or the greatest mistake of my life,” Ken Sr. said, and laughed. He was sitting in the air-conditioned, vaulted-ceiling living room of the house he designed and built, which has a conversation pit and electric-blue rug that date it to the era when Burt and Dinah roamed Palm Canyon Drive. Viewed through sliding-glass doors, Kenny Jr.’s sculptures loomed impressively on the lawn, as if eyeing the house and its residents for a takeover.
As Kenny Jr. grew older, and his installations consumed more and more of the property, “I had to make some decisions,” Ken Sr. said. What he decided was to become his son’s Lorenzo de’ Medici, supporting Kenny Jr. financially and allowing him to turn prime Southern California real estate into “a canvas.”
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